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creativemornings: “The best way for a troublemaker, or creative…



creativemornings:

"The best way for a troublemaker, or creative person, to survive and thrive in a career that you love is to focus on doing your best work and learning something new every single day. "

— Chris Coleman, speaking at CreativeMornings/Atlanta.

Watch the talk.

Jun 8

“The challenge is to revise and rewrite long after the original excitement over the piece has faded,…”

“The challenge is to revise and rewrite long after the original excitement over the piece has faded, and to create a finished product that—in spite of all the tinkering—evokes that same sense of excitement and discovery in the reader. To accomplish this magic feat takes determination that borders on the pathological, like some guy in Moose Udder, Maine who builds a fifty-foot Elvis sculpture with empty Red Bull cans.

If you’re holed up in your room, staring at your computer screen, resolutely building an Elvis of your own, I salute you. If you’ve ever gotten so sick of working on a particular project you couldn’t bear to even look at it for a week, or a month or a year, but one day you sighed, cracked your knuckles and hauled yourself off the sofa to start that fourth draft, I salute you.”

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Charles Coe, “But I MEANT to Write it that Way!,” published on Best American Poetry’s blog (via bostonpoetryslam)

Salute…

Jun 7

“I would not call poetry’s present marketplace position a “failure,” since no contemporary poet…”

“I would not call poetry’s present marketplace position a “failure,” since no contemporary poet expects to make a living by it. He or she teaches, rather, or has an independent income. While making my living elsewhere, I have never stopped writing and reading poetry, as the exercise of language at its highest pitch.”

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Inside Game by The Editors

In the same paragraph, Updike also says “Had poetry paid as well as fiction, I would have written more of it.”

Jun 4

“”I think poetry has really rather connived at its own irrelevance and that shouldn’t happen,…”

"I think poetry has really rather connived at its own irrelevance and that shouldn’t happen, because it’s the most delightful thing," said Paxman. "It seems to me very often that poets now seem to be talking to other poets and that is not talking to people as a whole."

His words come as official figures show a decline in poetry sales. Five years ago, in 2009, sales of poetry stood at £8.4m. By 2013, they had fallen to £7.8m, according to Nielsen BookScan.

Michael Symmons Roberts, a poet who has both won and judged the Forward prize, said that Paxman’s proclamation was “not without foundation in terms of the symptoms – it would be stupid for poets to say poetry is as dominant as the novel” – but he disagreed with Paxman’s diagnosis.

"Poetry doesn’t have the currency in our culture that novels and films have – people who would be embarrassed not to have read the latest Julian Barnes or Martin Amis are not the slightest bit embarrassed not to have read the latest John Burnside or Carol Ann Duffy. But I don’t believe it’s quite good enough to say this is a problem of poets and poetry – it’s far more complex," said Roberts.



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Jeremy Paxman says poets must start engaging with ordinary people | Books | The Guardian

Paxman is also quoted as saying that poetry should “aim to engage with ordinary people much more”. Surely, the notion of whether poetry engages adequately with “ordinary people” depends on the poetry you’re actually considering? Maybe what’s required here is a spotlight on engaging, challenging work that engages with the kind of ordinary people Paxman is referring to? That such work exists is not the question, rather where it can be found, and how it is celebrated/valued, particularly in relation to other works. Which essentially reduces to the question: who determines what “poetry” is, or more accurately, who determines which (of the various different forms of) poetry receives accolades and prestige?

Jun 2

“The written word is weak. Many people prefer life to it. Life gets your blood going, and it smells…”

“The written word is weak. Many people prefer life to it. Life gets your blood going, and it smells good. Writing is mere writing, literature is mere. It appeals only to the subtlest senses—the imagination’s vision, and the imagination’s hearing—and the moral sense, and the intellect. This writing that you do, that so thrills you, that so rocks and exhilarates you, as if you were dancing next to the band, is barely audible to anyone else. The reader’s ear must adjust down from loud life to the subtle, imaginary sounds of the written word. An ordinary reader picking up a book can’t yet hear a thing; it will take half an hour to pick up the writing’s modulations, its ups and downs and louds and softs.”

- Annie Dillard (via John Estes)
May 31

“Nature is full of branches because if you want to be close to a lot of space with minimal increase…”

Nature is full of branches because if you want to be close to a lot of space with minimal increase in your own volume, your best bet is a structure that forks and sub-forks. This is how birds make wings: they send out a bone with a little quick tissue and feather roots, and from them grow rachis, and from them grow barbs, and from them grow barbules, and from them grow barbicels, between which the gaps are so small that air doesn’t bother trying to get through, and the bird has made something the shape of an airfoil without having to fill it with heavy meat. Branching is also how plants fill out their space in the air to collect sunlight and CO2, and underground to find solid nutrients. The structures of your nervous, respiratory, and circulatory systems are similarly manifold.

But the principle is deeper than life itself. It’s how rivers work: though we don’t ascribe intent, a river needs to approach every part of its basin in the sense that erosion will make it grow streams and rivulets until it does. It doesn’t even have to be water. Fluid dynamicists use the phrase viscous fingering to describe this kind of structure in their domain.

In fact, apparently in some sense it might be deeper than physics, because – assuming MLC is true – the Mandelbrot, a piece of abstract math, has some desire-less need to connect its infinite brood.



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Fractals and Stories via Charlie Lloyd aka @vruba

This isn’t “poetry”. And yet it is. New definition: poetry = an indeterminable number of ways to pay attention to and fall in love with the world and all it’s truths, half-truths and lies.

May 26

My Poems Avoid Higher Math: A Short Interview with Bob Hicok (via the Merrimack Review)

RC: What role should poetry play in everyday life?

BH: None. Should sounds like eating vegetables. I'm sorry— I sort of criticised your question there. But I don't like should. I'm guessing that your question has to do, in part, with poetry's diminished status in our culture. I certainly wish poetry still didn't seem so strange to people. Which is weird, given that, if people write, they're more likely to write poetry than anything else, in my experience. With that in mind, I think poetry is an every-day thing for many.
May 25

The winner of last night’s ZAP! Slam, São Paulo, as part…



The winner of last night’s ZAP! Slam, São Paulo, as part of the FLUPP literary festival. In the third and final round, he performed a piece that consisted of two and a half minutes of silence, and a line that said something about how we are all mute in some way or another. I didn’t get a precise translation. Take note: there’s an art to holding your ground against expectation for two and a half minutes when every other piece before yours has put forward some kind of passionate exclamation. He approached the mic and backed away, toyed with us just enough so we didn’t question that it was all leading to something, and finally delivered. In conversation after the set, he called it a Kamikaze slam poem. For sure… but what a way to kill a slam, to subvert the form… #vscocam

May 24

“The world of the interrupt and the distraction keep us busy. That of course does not mean we are…”

“The world of the interrupt and the distraction keep us busy. That of course does not mean we are productive. The basics are common sense but in a seductive trivia-driven world rarely common practise. Re-boot these practices: (1) Be proactive; choose what you are going to do against your true priorities (2) set your priorities against your personal compass of the key areas of your life: career/health/finance/relationships/fun and contribution.”

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Deep Dive Productivity 12: Brilliant at the Basics - Nicholas Bate

Nicholas Bate consistently brings the good. If I had a fantasy faculty for a professional development programme for creatives, he’d be a first draft pick every time.

May 24

“I contribute in a variety of ways (if we must derive value from the idea of contributions): I have a…”

“I contribute in a variety of ways (if we must derive value from the idea of contributions): I have a day job and I also write, edit and publish work as a poet. I do not moonlight as a poet. Poetry is a job like many others. In some ways, it is more difficult; it is self-created. I believe that a Poet is not merely one who writes poetry but one whose dedication to poetry fits into their private or public lifestyle, and one who advocates for poetry in a way they believe to be valuable and meaningful.”

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Dispelling the Myth of the Poet: Why All Writers Should Defend Their Craft | Lisa Marie Basile

Dear poet: read the linked article immediately. Dear people who aren’t poets: please do the same. It certainly reminds me of a few too many conversations I’ve experienced. “So you’re a poet, eh?” they say with the kind of casual sneer reserved for someone who’s said they’ve just seen a unicorn…

May 23

Gerhard Steidl | The Talks

Gerhard Steidl | The Talks:

jackharries:

Mr. Steidl, you scheduled this interview at 11 o’clock on a Sunday morning. Do you always work on weekends?

Yes on Saturdays and Sundays. Those are the only days in the week where I can work concentrated on concepts for books, I can do my drawings for book covers and book design. I don’t have to open my mouth, I am silent, I listen to the radio, classical music, and I do just what I want.

Do you ever take time off or is the printing process such a passion for you that you don’t need to?

I am of course not risking my health and my physical power just for printing jobs and without six and a half hours of sleep at night I am of no use the next day, but actually throughout the year I don’t need vacations or days off. I have the privilege that I spend the day doing whatever I want. That keeps you fresher. It is more a question of discipline and something that you have to learn. Since I have been working for 45 years, I have learned to be disciplined.

Read more.

May 22

Hvísl – Whispers of Iceland (by schundoe) An interactive Art…



Hvísl - Whispers of Iceland (by schundoe)

An interactive Art Book; by Bertrand Lanthiez & Chloé Curé

This, where text = poetry. Ambient supporting audio and imagery alongside. Could be rendered as an app, but the tactility of the book, the idea of book as artefact that offers unfussy multimedia interactivity… yes.

May 21

“Often my subjects are the simplest things in the world: joy, family, the weather, houses, streets….”

“Often my subjects are the simplest things in the world: joy, family, the weather, houses, streets. Nothing fancy. And when I sit down with these subjects my aim is clarity. I’m really trying to clear some of the muddle from my own brain — my brain being a very muddled place indeed. Sometimes I think my whole professional life has been based on this hunch I had, early on, that many people feel just as muddled as I do, and might be happy to tag along with me on this search for clarity, for precision. I love that aspect of writing. Nothing makes me happier than to hear a reader say: that’s just what I’ve always felt, but you said it clearly. I feel then that I’ve achieved something useful.”

- Zadie Smith— Storytelling Is A Magical, Ruthless Discipline (via TheLi.st
May 20

“English Literature A Level concentrates only on literature (the clue is in the title). The English…”

“English Literature A Level concentrates only on literature (the clue is in the title). The English Language and Literature A Level (as the title again suggests,) draws on ideas and methods from literary criticism and the study of language to analyse both literary and non-literary texts, spoken as well as written, and from an infinitely wider sphere of contexts. Digital forms of communication such as Twitter feeds and blogs are increasingly influential in the modern world; parliamentary discourse, of which select committee proceedings are a part, have played a role in our democracy for a good deal longer. Many university English courses already draw on material from a similarly wider variety of sources, and A Level syllabi that introduce students to the analysis of a broad range of communication types (written and spoken; formal and informal; contemporary and canonical) are welcomed by University English.”

- Letter to The Sunday Times in support of A Level English Language and Literature via English & Media Centre
May 19

“so you have to live the poem with your whole mind and body. This is why performance poetry has had…”

“so you have to live the poem with your whole mind and body. This is why performance poetry has had not one great heyday, but many. You pass a poem to the audience through the words as embodied – literally – by the rest of your human form. And the people listening and watching come back at you in an equally embodied way.”

- Why performance is the embodiment of poetry— Michael Rosen (via The Guardian)
May 14

“Whatever pain you suffer, after you have observed it, after you have imagined its shape and taste…”

“Whatever pain you suffer, after you have observed it, after you have imagined its shape and taste and texture, after you have hypothesized its cause, ask yourself, “Am I ready to let this go?” If you say yes, your pain will disappear. If it does not disappear, you have two options: 1) Call a doctor. 2) Ask yourself, “What does this pain want to teach me?” and then, “Am I willing to learn its lesson?””

- Cindy Clem— Darkly Devotions | [PANK]
May 13

Poet: Greer Dewdney @ BARPo Gallery Cafe 2014-05-02



Poet: Greer Dewdney @ BARPo Gallery Cafe 2014-05-02

May 12

“Most of the members are English students or graduates, but not exclusively so. For example, I’m…”

“Most of the members are English students or graduates, but not exclusively so. For example, I’m studying archaeology and write a lot of archaeology poems. There are also a lot of people who come from theatre backgrounds and are very performance-focused, while other members are more focused on being published. We cover a range of page and stage poetry and ultimately the group is about what you bring to it from your own background.”

- Want to know more about Burn After Reading? BAR Poet Greer Dewdney is interviewed by The Little Owl— Page vs Stage Poetry | The Little Owl
May 12

“This is a page-by-page interactive companion to Khaled Hosseini’s And the Mountains Echoed. Explore…”

“This is a page-by-page interactive companion to Khaled Hosseini’s And the Mountains Echoed. Explore 402 pages of unique digital interpretations inspired by the words found on each of the 402 pages of the novel itself.”

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The Echo Project

Mmm. Something to consider for the next collection?

May 12

Poet: Tyrone Lewis @ BARPo Gallery Cafe 2014-05-02



Poet: Tyrone Lewis @ BARPo Gallery Cafe 2014-05-02

May 11